REVIVALRY ARRIVE ON KENDAL CALLING’S MAINSTAGE
Cleethorpes-based indie rock trio make history as the youngest band ever to play Kendal Calling’s main stage.
If supporting Reverend and The Makers, The Reytons, Corella and The Lathums, making BBC News and being followed on socials by some of their musical icons including The Lottery Winners, The Sherlocks, Feeder, and more; wasn’t enough to cement this young trio’s future in music, then their recent main stage set at Kendal Calling plants a firm flag in the ground as a band that deserves your attention.
Image credit: Tom Martin
“When watching these guys live, you could see the raw energy in their set.”
- Dead Good Music
Image credit: Tom Martin
GO BEHIND THE SCENES WITH REVIVALRY AT KC24
HELLO COSMOS LIVE FROM ST MARY’S
Hello Cosmos we’re invited to perform in the stunning Grade I listed church as part of the Live at St Mary’s event series, bringing with them an assortment of lasers, performers and post-punk poetry to create a truly captivating live performance.
Hello Cosmos we’re invited to perform in the stunning Grade I listed church as part of the Live at St Mary’s event series, bringing with them an assortment of lasers, performers and post-punk poetry to create a truly captivating live performance.
Image credit: Tom Martin
"Hello Cosmos wasted no time in transporting the crowd to what felt like a little pocket of space in some alternate reality." - The Manc
Image credit: Tom Martin
THERE’S SOMETHING IN THE BASEMENT WITH DEATHRETRO
Cult Cumbrian four-piece Deathretro landed in Manchester’s YES basement with a heavy dose of untamed, infectious energy. Fully charged from the first drum kick and laced with outlandish riffs.
Cult Cumbrian four-piece Deathretro landed in Manchester’s YES basement with a heavy dose of untamed, infectious energy. Fully charged from the first drum kick and laced with outlandish riffs.
These Cumbrians know how to kick things off, with vocalist Kie dancing frantically through the crowd as if possessed by the spirit of Ian Curtis.
Image credit: Tom Martin